Writer and therapist Glenn Bech sparked a larger debate about class issues in Denmark with his autobiographical novel The Fathership (forthcoming in Hazel Evans’ translation) and his manifesto Jeg anerkænder ikke længere jeres autoritet (“I no longer recognize your authority”).
The novel The Fathership depicts a brutal childhood characterized by violence, betrayals and toxic masculinity, but that also has a tenderness and love for the families and working class community portrayed. The novel was praised by the literary establishment, and the following year, Bech published Jeg anerkænder ikke længere jeres autoritet (“I no longer recognize your authority”), a furious manifesto about class struggle, the proletariat and the elite. In a self-scrutinizing, loud and emphatic prose, Bech rails against class contempt and the economic blind spots within the cultural middle class, showing the reader what it is like to be exposed, gay and poor.
Masculinity, homophobia and class are central issues in British poet and author Andrew McMillan’s critically acclaimed debut novel Pity. The book portrays three generations of men, spanning from the heyday of the coal industry, with long days of back-breaking labour in the mines, to a present characterized by unemployment and loneliness. In a sparse but urgent tone and with an eye for the raw and vulnerable, McMillan explores today’s gender roles for men, and how the past affects the present. At the same time, the book is a tribute to the working class and an invitation to reflection, change and acceptance.
McMillan and Bech are joined by writer and journalist Kristofer Folkhammar for a conversation about poverty, class and toxic gender roles.
The conversation will be in English.
Before the conversation (at 6 PM) McMillan will also hold the lecture "100 queer poems", where he reflects on the category of ‘queer’ poetry and the process and pitfalls of creating a new canon. Tickets and more information here.